In May 2011 I wrote a post in celebration of Bob Dylan’s 70th birthday and the impact he had on me as a teenager. The original text can be seen here. 50 years ago today Bob Dylan first performed Blowin in the Wind. Then aged 15, I clearly recall the first time I heard it and how it fed into the worldwide social happenings of the world and stirred the conscience of a generation. Most particularly it provided a vehicle for our rebellious spirits. The original post is below.
Being a teen in Ireland in the early 1960s was a fascinating time. The Irish television service had just been introduced in 1961, although those of us who lived near the border with the six counties of Northern Ireland had enjoyed the BBC for several years before – all in black and white of course!
One of the abiding memories from my teens was at age 15, racing into the living room and being stopped in my tracks by Martin Luther King on the television, delivering his ‘I have a Dream’ speech, in Washington D.C. I was rooted to the spot. I also vividly recall the news reports of the war in Vietnam, the ‘FLOP-flop, FLOP-flop,FLOP-flop,FLOP-flop’ sound of Huey helicopters flying at terrifying angles and offloading their human cargoes of young men just a few years older than myself – either crouched and running,being carried on stretchers or in body bags. Never before had anything like these scenes been witnessed at a distance, by any generation. The impact on us was remarkable.
At the same time music was evolving, leaving behind the big band and orchestral sounds and becoming much more exciting and exhilarating. For a huge number of teenagers and young adults in the 1960s, Bob Dylan was phenomenal. With his guitar and harmonica and ‘drawl style’ of singing, he was unique. ‘Blowin’ in the Wind’ and ‘The Times they are a-Changin’ captured the mood exactly. They not only added an authenticity to the events, they challenged us not to remain complacent.
That Bob Dylan helped motivate an entire generation to become socially aware, is probably an understatement. Although he disliked the tag ‘protest song’, this is exactly what his compositions were to an emerging generation who were seeing things in their own homes that had only ever been read about in the past. His social commentaries were powerful motivators in making people question social inequality and the human cost of the Vietnam conflict. Not only that, his songs were like nothing we had heard before. They had beautiful melodies, they were poetic, they had a social message. They were anthems of the time, most especially for the Civil Rights movement in the USA and for the anti-war movement, both of which, with the inspiration of Bob Dylan, became international movements.
For those of us emerging into adulthood in the sixties, Bob Dylan was a true icon. His poetry was inspiring; his message was beyond love-songs, beyond ‘ be-bop-a-doo-dah’ banality. His place in the politics, history and culture of the 1960s enabled us to admonish those who perpetrated injustices in a way that had not been seen before and not has been seen since.
How many roads must a man walk down, before you can call him a man?….. How many times must the cannonballs fly, before they are forever banned?…
How many years can some people exist, before they’re allowed to be free?… How many ears must one man have, before he can hear people cry?
How many deaths will it take till he knows that too many people have died? The answer, my friend, is blowing in the wind
The answer is blowing in the wind.
Blowin still 50 years on. Bob Dylan – you changed me…you changed the world !